“Sight” is an audiovisual installation that explores the landscape as a constantly changing structure. In today’s context, the work reflects on how physical and virtual space are increasingly intertwined, and how natural processes and individual perceptions, influenced by technology, reconstruct our experience of reality – fragmenting, transforming and making it ever more fluid.

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"Sight" explores not only what we see but also how our perception is shaped—how sight becomes perspective, how an image turns into a narrative, and how reality transforms into interpretation.

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Presented in complete darkness, the installation dissolves the boundaries of physical space. A computer-generated landscape and light drawings, emanating from eight geographical directions, visualize the passage of time and the transformation of space. Here, light functions as both an orientational and structural element, allowing the landscape to be experienced as a continuously shifting form.

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A binaural sound composition, recorded and created in collaboration with composer Andrius Siurys expands the spatial perception of the installation—metronome sounds, recorded from eight directions and 32 sound points using four different metronome tempo variations, construct a multilayered structure of time and space. Their rhythmic shifts resonate with the fragmented perception of time and the dynamic flow of information in the digital age. 

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Today, the landscape is no longer merely a natural or urban environment—it exists within information networks, virtual simulations, and individual perception. Digital landscapes become equivalent to physical ones, reshaping our understanding of territories, boundaries, and identity.

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“Sight" raises the question—do technologies expand our perception, or do they merely direct our gaze in a specific way? If each of us sees a different version of reality, does this bring us closer to the truth, or does it further fragment our understanding of the world?